For double bass and piano

Six Preludes

for Double Bass and Piano

Six selected preludes from the violin-and-piano cycle, reimagined for the dark resonance and lyrical gravity of the double bass.

Year 2008
Duration 13′
Scoring Double Bass
Piano
Publisher Boosey & Hawkes
/ Sikorski

Dedication

Dedicated to Rafael DeStella.

Source

Arrangement of six preludes from the 1999 violin-and-piano cycle. The selected movements form a compact suite for double bass and piano.

Structure

Six movements. Andante · Adagio sognando · Adagio · Tragico · Moderato serioso · Andante sognando.

Preludes

  • 1. Andante

    tempo di valzer lento · from Prelude No. 2

  • 2. Adagio sognando

    from Prelude No. 8

  • 3. Adagio

    from Prelude No. 12

  • 4. Tragico

    from Prelude No. 20

  • 5. Moderato serioso

    from Prelude No. 22

  • 6. Andante sognando

    from Prelude No. 23

Work Information

Full Title
Six Preludes for Double Bass and Piano
Scoring
For double bass and piano.
Year
2008
Duration
13′
Form
Suite of six preludes.
Source Work
Arrangement of six preludes from 24 Preludes for Violin and Piano .
Dedication
Dedicated to Rafael DeStella.
Instrumentation
Double bass and piano.
Abbreviations PDF
Publisher
Listed by Sikorski / Boosey & Hawkes.
Catalogue
Listed in the Sikorski catalogue and in the official Lera Auerbach compositions catalogue.

The Work

Six Preludes for Double Bass and Piano is a 2008 arrangement of six selected preludes from Lera Auerbach’s 1999 cycle for violin and piano. In the double bass version, the music moves into a darker register, where dream, lament, dance and tragic weight acquire a different physical presence.

Six preludes, drawn from a larger cycle, become a compact chamber suite for double bass and piano. Work description

The selected sequence forms a concentrated expressive arc: a slow waltz-like opening, two dreamlike adagios, a tragic center, a serious moderato, and a final sognando movement.

  • Source Six selected preludes from the violin-and-piano cycle.
  • Duration 13 minutes.
  • Dedication Rafael DeStella.

Context

Auerbach’s prelude cycles return repeatedly to the idea of the miniature as a complete expressive world. This arrangement takes six movements from the violin-and-piano cycle and relocates them into the sonority of the double bass, preserving the formal concision of the originals while transforming their color and weight.

The work sits within a wider constellation of Auerbach’s transcriptions, suites, and chamber adaptations, in which material from a larger cycle is reconfigured for a new instrument and a new expressive register.

Online Materials

Public links related to Six Preludes for Double Bass and Piano. I did not find reliable direct Spotify or Apple Music links for this double-bass arrangement, so the materials below focus on catalogue references, the available YouTube performance/recording, and the related source cycle.

Publisher and Materials

Listed by Sikorski / Boosey & Hawkes. The work is listed in the Sikorski catalogue as a 2008 arrangement of six preludes from the 1999 violin-and-piano cycle, dedicated to Rafael DeStella, with a duration of 13 minutes.