Shostakovich / Auerbach · after Shostakovich Op. 34
Shostakovich / Auerbach 24 Preludes
for Violoncello and Piano
Lera Auerbach’s arrangement of Dmitri Shostakovich’s Op. 34 for violoncello and piano: a complete twenty-four-prelude cycle translated from the keyboard into a charged duo language of line, resonance, and dramatic color.
Commission
Co-commissioned by Norddeutscher Rundfunk Hamburg and the New Orleans Friends of Music. With Drs. Emel and Ranney Mize and Maestro Klauspeter Seibel.
First Performance
17 July 2008. Reinbek · Alisa Weilerstein, violoncello · Lera Auerbach, piano.
Source
After Dmitri Shostakovich’s Twenty-Four Preludes, Op. 34. Auerbach’s arrangement preserves the complete cycle while reimagining its pressure through the cello-piano medium.
Preludes
- 1
C major
Moderato
- 2
A minor
Allegretto
- 3
G major
Andante
- 4
E minor
Moderato
- 5
D major
Allegro vivace
- 6
B minor
Allegretto
- 7
A major
Andante
- 8
F-sharp minor
Allegretto
- 9
E major
Presto
- 10
C-sharp minor
Moderato non troppo
- 11
B major
Allegretto
- 12
G-sharp minor
Allegro non troppo
- 13
F-sharp major
Moderato
- 14
E-flat minor
Adagio
- 15
D-flat major
Allegretto
- 16
B-flat minor
Andantino
- 17
A-flat major
Largo
- 18
F minor
Allegretto
- 19
E-flat major
Andantino
- 20
C minor
Allegretto furioso
- 21
B-flat major
Allegretto poco moderato
- 22
G minor
Adagio
- 23
F major
Moderato
- 24
D minor
Allegretto
Work Information
Abbreviations PDF
The Work
Shostakovich’s Op. 34 belongs to the twentieth century’s great prelude cycles: twenty-four short works traversing the full tonal spectrum. Auerbach’s arrangement brings the complete cycle into the violoncello-and-piano medium, preserving the sequence while allowing the cello to absorb and re-speak Shostakovich’s sharply drawn characters.
The result is not a transcription in the decorative sense. The piano remains a structural and harmonic force, while the violoncello becomes a second nervous system: singing, biting, lamenting, driving, and darkening the original keyboard miniatures into chamber drama.
- Source Shostakovich Op. 34.
- Arrangement Lera Auerbach, 2008.
- Forces Violoncello and piano.
Context
Auerbach also arranged Shostakovich’s Op. 34 for viola and piano in 2010, and earlier made a five-prelude violin-and-piano selection in 2000, conceived together with Dmitri Tsyganov’s existing arrangement of nineteen preludes to complete the violin-and-piano cycle.
The violoncello-and-piano version was premiered in Reinbek by Alisa Weilerstein and Lera Auerbach on 17 July 2008, following co-commissioning by Norddeutscher Rundfunk Hamburg and the New Orleans Friends of Music, with Drs. Emel and Ranney Mize and Maestro Klauspeter Seibel.
Online Materials
Public links related to Shostakovich/Auerbach 24 Preludes for Violoncello and Piano. Use the filters to view recordings, score pages, and reference materials.
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Audioleraauerbach.com · audio
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PublisherBoosey & Hawkes / Sikorski Boosey & Hawkes
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ScorePurchase Score Boosey & Hawkes
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CatalogueAuerbach Work Catalogue Boosey & Hawkes PDF
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RecordingLera Auerbach Discography leraauerbach.com
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MaterialsAbbreviations PDF Boosey & Hawkes
Publisher and Materials
Published by VAAP; available through Boosey & Hawkes / Sikorski. The score is available for sale through the official publisher purchase page.