Shostakovich / Auerbach · after Shostakovich Op. 143

Shostakovich / Auerbach Six Poems of Marina Tsvetaeva

for Alto and String Quartet

Lera Auerbach’s 2005 arrangement of Dmitri Shostakovich’s late song cycle for low female voice and string quartet: six Russian settings of Marina Tsvetaeva, translated from piano into the concentrated, exposed sonority of four strings.

Original / Arrangement 1973 / 2005
Duration 23′
Scoring Alto / Contralto
String Quartet
Language Russian

Commission

Co-commissioned by Festival Les muséiques, Basel, and NDR’s das neue werk, Hamburg. The arrangement was made by Lera Auerbach in 2005.

First Performance

1 June 2006, Basel. Zoryana Kushpler, contralto · Petersen Quartet.

Source

After Shostakovich’s song cycle Op. 143. Six settings of Marina Tsvetaeva in Russian, originally composed in 1973.

Poems

  • I

    My Poems

    Largo

  • II

    Whence Such Tenderness?

    Allegretto

  • III

    Hamlet’s Dialogue with His Conscience

    Largo

  • IV

    The Poet and the Tsar

    Moderato

  • V

    Not the Drum Sounded …

    Allegretto

  • VI

    To Anna Akhmatova

    Largo

Work Information

Full Title
Six Poems of Marina Tsvetaeva
Composer / Arranger
Dmitri Shostakovich / arranged by Lera Auerbach.
Source Work
Shostakovich’s song cycle Op. 143, composed in 1973.
Arrangement
2005 arrangement for alto / contralto and string quartet by Lera Auerbach.
Language
Russian.
Duration
23′
Instrumentation
alto(or contralto)—2vl.vla.vc.
Abbreviations PDF
Expanded Forces
Alto / contralto and string quartet.
Commission
Co-commissioned by Festival Les muséiques, Basel, and NDR’s das neue werk, Hamburg.
First Performance
1 June 2006 — Basel; Zoryana Kushpler, contralto / Petersen Quartet.
Recording
Capriccio cap 71 104 · Zoryana Kushpler, contralto / Petersen Quartet.
Publisher
Published by VAAP and available through Boosey & Hawkes / Sikorski .
Territory
Available from Boosey & Hawkes / Sikorski in listed territories.
Availability
For sale through Boosey & Hawkes / Sikorski .

The Work

Shostakovich’s Six Poems of Marina Tsvetaeva is among the composer’s late vocal works, austere in scale and severe in emotional concentration. Auerbach’s arrangement transfers the piano part into a string quartet, sharpening the cycle’s chamber-theatre quality and placing the voice inside a surrounding field of bowed sonority.

The string quartet does not function as accompaniment in a decorative sense. It becomes the pressure around the poems: intimate, darkly resonant, and capable of both lyric breath and harsh articulation.

  • Source Shostakovich Op. 143.
  • Poet Marina Tsvetaeva.
  • Arrangement Lera Auerbach, 2005.

Context

Shostakovich’s original cycle sets six carefully selected poems by Marina Tsvetaeva, one of the central Russian poets of the twentieth century. The Boosey & Hawkes note describes the cycle as one of Shostakovich’s powerful late compositions.

Auerbach’s arrangement was co-commissioned by Basel’s Festival Les muséiques and the NDR concert and broadcasting series das neue werk in Hamburg. Its first performance took place in Basel on 1 June 2006 with Zoryana Kushpler and the Petersen Quartet.

Online Materials

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Publisher and Materials

Published by VAAP and available through Boosey & Hawkes / Sikorski. The official publisher page and purchase page are linked below.