For orchestra

Eve’s Lament

O Flowers, That Never Will Grow

A thirteen-minute orchestral lament by Lera Auerbach: a fragile, luminous meditation on loss, unborn beauty, and the impossible garden after exile.

Year 2019
Duration 13′
Scoring For
orchestra
Publisher Sikorski

Commission

Co-commissioned by ORF Radio-Symphonieorchester Wien, Baltimore Symphony Orchestra, Netherlands Radio Philharmonic, the Netherlands Broadcasting Organization AVROTROS as part of Stichting Omroep Muziek, and Wiener Konzerthausgesellschaft. With additional funds by The Sorel Organization in loving memory of Judy Cope.

World Premiere

24 October 2019. Konzerthaus, Vienna — ORF Radio-Symphonieorchester Wien, conducted by Marin Alsop.

The Work

Eve’s Lament “O Flowers, That Never Will Grow” belongs to Auerbach’s orchestral world of memory, catastrophe, tenderness, and metaphysical image. The title speaks from the edge of absence: a lament not only for what has died, but for what will never be born.

The sound world is unusually delicate and spectral, placing orchestral color in dialogue with ondes Martenot, harp, percussion, strings, and fragile metallic sonorities. The result is not a grand public lament but something more intimate: grief heard through silver, breath, water, and light.

A lament for the flowers that never arrive — and for the world that might have held them.

Work Information

Full Title
Eve’s Lament “O Flowers, That Never Will Grow”
Year
2019
Scoring
For orchestra.
Duration
13′
Instrumentation
2(=picc).2(=cor anglais).2.2 – 2.1.1.1 – timp. 3 perc (tgl, bird-whistle, crot, cym, tam-t, tubular bells, glsp, vibr, marimba, water-gong, aquaphone). harp. ondes martenot. strings.
Abbreviations PDF
Commission
Co-commissioned by ORF Radio-Symphonieorchester Wien, Baltimore Symphony Orchestra, Netherlands Radio Philharmonic, and the Netherlands Broadcasting Organization AVROTROS as part of Stichting Omroep Muziek, Wiener Konzerthausgesellschaft, with additional funds by The Sorel Organization in loving memory of Judy Cope.
World Premiere
24 October 2019 — Konzerthaus, Vienna; ORF Radio-Symphonieorchester Wien; Marin Alsop, conductor.
Publisher
Published by Sikorski .
Territory
This work is available from Boosey & Hawkes / Sikorski for the world.
Availability
Rental.
Rental
Score and rental materials: Zinfonia .

Sound World

The instrumentation gives the piece a distinctive aura: bird-whistle, water-gong, aquaphone, ondes Martenot, harp, and refined percussion colors sit within an orchestral frame that is both fragile and intensely expressive.

  • Eve The figure of Eve becomes a voice of origin, exile, and lament.
  • Flowers The subtitle turns absence into an image of impossible growth.
  • Ondes Martenot The instrument gives the orchestral surface an otherworldly human vibration.
  • Water Water-gong and aquaphone extend the lament into an elemental space.

Critical Response

Der Standard described the work as “fragile, floating, delicately gleaming.”

Wiener Zeitung called it “bitter-sweet,” “suggestive and touching.”

Publisher and Materials

Published by Boosey & Hawkes / Sikorski. Score and rental materials are available through Zinfonia.