For orchestra
Dialogue
With Time
An eight-minute orchestral work by Lera Auerbach — compact, concentrated, and suspended between motion and memory.
World Premiere
13 February 2007. Chicago, Illinois — Roosevelt University Orchestra, conducted by Stephen Squires.
The Work
Dialogue With Time belongs to Auerbach’s orchestral catalogue as a brief but highly charged encounter with musical time: compressed in duration, but expansive in implication.
The title suggests not simply the passing of time, but a confrontation with it — a musical exchange between pulse and suspension, memory and arrival, what has already sounded and what still approaches.
Work Information
Abbreviations PDF
Orchestral Frame
The score uses full orchestral forces with expanded winds, brass, harp, celesta, piano, percussion, timpani, and strings. Its scale is symphonic in color, while its duration remains concentrated and aphoristic.
- Time The subject is not narrative time alone, but time as musical pressure.
- Orchestra Full orchestral color is compressed into a concise single movement.
- Memory The work feels retrospective and forward-moving at once.
- Concentration A short duration holds a larger emotional and structural arc.
Publisher and Materials
Published by Boosey & Hawkes / Sikorski. Score and rental materials are available through Zinfonia.