Chorale, Fugue and Postlude is a solo piano work composed in 1994 and revised or completed in 2003. It is built from three formal archetypes: the chorale, the fugue and the postlude. The title places the work in dialogue with older keyboard traditions while remaining within Auerbach’s contemporary piano language.

The piece lasts approximately ten minutes and was commissioned by and dedicated to Brigitte Feldtmann. The first performance took place in Cologne on 29 March 2008, with Lera Auerbach at the piano.

• Form Chorale, fugue and postlude.
• Duration Approximately 10 minutes.
• Forces Solo piano.

The work belongs to Auerbach’s solo piano catalogue and stands near the larger cycles and piano works that explore memory, form, and inherited musical language. Its title invokes liturgical and contrapuntal traditions without treating them as historical quotation alone.

The catalogue also notes that the BIS recording by Auerbach received “Choc de la Musique 2007.” The work appears on the BIS album Auerbach: Preludes and Dreams, alongside other major solo piano works.

Public links related to Chorale, Fugue and Postlude. The clearest complete recording source is Auerbach: Preludes and Dreams, performed by Lera Auerbach and released by BIS. I did not find a reliable full filmed performance of the complete work; YouTube links below are audio listings.