For violin, horn or tenor saxophone, and piano

Trio

for Violin, Horn or Tenor Saxophone, and Piano

A four-movement chamber work for violin, horn or tenor saxophone, and piano, performed attacca: a dramatic trio whose sound world moves between free recitative, weight, motion, and a final adagio.

Year 2014
Duration 30′
Scoring Violin
Horn / Tenor Saxophone
Piano
Publisher Boosey & Hawkes
/ Sikorski

Commission

Commissioned for Séverine and Ivan Cohen’s 60th birthday. By their children, grandchildren and close friends.

Version

Originally for violin, horn, and piano. A composer’s version for violin, tenor saxophone, and piano is also available.

Structure

Four movements performed attacca. The work proceeds as a continuous chamber drama rather than four detached panels.

Movements

  • I. Libero

  • II. Pesante

  • III. Toccata

  • IV. Adagio

Work Information

Full Title
Trio for Violin, Horn (or Tenor Saxophone) and Piano
Scoring
For violin, horn or tenor saxophone, and piano.
Year
2014
Duration
30′
Form
Four movements, performed attacca.
Instrumentation
vl—hn(or tsax)—pft.
Abbreviations PDF
Expanded Forces
Violin, horn or tenor saxophone, and piano.
Commission
Commissioned for Séverine and Ivan Cohen’s 60th birthday by their children, grandchildren and close friends.
First Performance
3 July 2014 — Geneva.
Recording
Centaur CRC 3770 · The Advenio Trio.
Publisher
Territory
This work is available from Boosey & Hawkes / Sikorski for the world.
Availability
For sale through Boosey & Hawkes / Sikorski.

The Work

Trio is written as a continuous four-movement arc. The movements — Libero, Pesante, Toccata, and Adagio — are performed attacca, creating a work that moves without interruption through freedom, weight, kinetic pressure, and suspended reflection.

The scoring places the violin and horn, or its tenor saxophone alternative, against the piano’s resonance and mass. The result is a highly charged chamber texture: lyrical, metallic, percussive, and volatile by turns.

  • Form Four movements, attacca.
  • Forces Violin, horn or tenor saxophone, and piano.
  • Recording The Advenio Trio, Centaur CRC 3770.

Performance World

The performance notes emphasize a sound world of heightened color and physical intensity: harmonics are notated at actual pitch, sul ponticello should sound extremely distorted, glissandi are often very slow and ad libitum, and flautando passages should be very airy.

The score asks performers to exaggerate distinctions between ordinario, flautando, and sul ponticello, placing color at the center of the work’s expressive language.

Online Materials

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Publisher and Materials

Published by Boosey & Hawkes / Sikorski. The score is available for sale through the official Boosey & Hawkes / Sikorski purchase page.