For solo piano

Memento Mori

for Piano

A twelve-minute solo piano work in three parts, moving from requiem to childhood and adulthood.

Year 1992
Duration 12′
Scoring Solo
Piano
Publisher Boosey & Hawkes
/ Sikorski

Structure

Three parts. Requiem, childhood, adulthood: a compressed life-cycle under the sign of mortality.

Parts

  • 1. Requiem · Canon · Requiem

    Opening memorial arch.

  • 2. Back to Childhood · Let’s Play Grownups · Childhood

    A return to childhood through play and distorted memory.

  • 3. Adulthood · Memento mori

    The final turn toward adulthood and remembrance of death.

Work Information

Full Title
Memento mori
Scoring
For solo piano.
Year
1992
Duration
12′
Form
Three-part solo piano work.
Parts
1. Requiem · Canon · Requiem
2. Back to Childhood · Let’s Play Grownups · Childhood
3. Adulthood · Memento mori
Subject
Death / Mourning.
Instrumentation
Publisher
Availability
Score available for purchase through Boosey & Hawkes / Sikorski.

The Work

Memento mori is a solo piano work written in 1992. Its title, traditionally translated as “remember that you must die,” gives the piece its philosophical frame: not death as an ending only, but death as the shadow that changes the meaning of memory, play and adulthood.

The three-part design moves through a ritual opening, a return to childhood and a final confrontation with adulthood. The second part’s title, Back to Childhood · Let’s Play Grownups · Childhood, gives the work its psychological hinge: childhood is not nostalgia alone, but a place where future masks are rehearsed.

A compact piano meditation on mortality, childhood and the strange circularity of memory.
  • Form Three-part solo piano work.
  • Duration Approximately 12 minutes.
  • Forces Solo piano.

Context

Memento mori belongs to the early layer of Auerbach’s piano catalogue, alongside works such as Fantasia and Images from Childhood. Its subject matter already points toward themes that recur throughout her later work: remembrance, childhood, mourning, ritual and the fragile border between innocence and knowledge.

The internal subtitles create a miniature life-arc. The opening is liturgical and memorial; the center turns toward childhood and role-play; the close names adulthood and mortality together. The work’s drama is not theatrical in an external sense, but inward: a memory structure compressed into twelve minutes.

Online Materials

Public links related to Memento mori. Recordings and streaming links are grouped here only; the main work information above remains limited to the work itself.

Publisher and Materials

Published by Boosey & Hawkes / Sikorski. The score is available through the official Boosey & Hawkes / Sikorski purchase page. Rental material has been intentionally omitted because this is a solo piano work available for purchase.