THE INFANT MINSTREL AND HIS PECULIAR MENAGERIE “Symphony No. 3” for Violin, Choir and Orchestra

1. Ouvertüre
2. Child-Bard
3. Interludium (Promenade I)
4. Lament for a Common Corporant
5. Who is Dickery Dare?
6. Interludium (Promenade II)
7. Who Plays my Drum?
8. Guacamole Treatment
9. Moon-Rider10 Child-Wanderer

YEAR: 2016

DURATION: 43′

INSTRUMENTATION:
3(picc, alto flute).2(cor anglais).2(bass clar).2(db bn) – 2.2.2(bass trbn).1 – timp. 3 perc (wood bl, snare dr, bass dr, bells, glsp, vibr, marimba. singing saw). harp. piano. cel. strings

TEXT BY: Erroneous Anonymous (Lera Auerbach)

PUBLISHER:
Sikorski

COMMISSION:
Commissioned by the Bergen Philharmonic Orchestra, the BBC Proms and the Orchestre de la Suisse Romande

PREMIERE:
7 April 2016, Bergen
Vadim Gluzman (violin) – Bergen Philharmonic Choir – Bergen Philharmonic Orchestra – Edward Gardner (conductor)

SYNOPSIS:
The Infant Minstrel and His Peculiar Menagerie’ is a symphonic fantasy for solo violin, choir, and orchestra. The solo violinist performs the lead role of a traveling musical storyteller who introduces a collection of wondrous tales by the mysterious author Erroneous Anonymous. The Infant Minstrel guides listeners in a voyage of imagination. Auerbach’s new composition speaks to the young and the young at heart with child-like, yet enigmatic and humorous poems in the tradition of ‘nonsense’ authors such as Edward Lear, Lewis Carol, Hilaire Belloc, and Mother Goose, as well as Edith Sitwell, Shel Silverstein, Edward Gorey, and Tim Burton. The text is relevant, yet timeless; absurd, yet profound; simple, yet multi-layered. We meet characters such as the Common Corporant, the Moon Rider, and the Flying Pig that enjoys sitting on a cloud watching the crowd. The work embraces with humor the traditions of the British and Gaelic bard and the troubadour, whose songs told embellished and exotic tales. It also finds inspiration in the menagerie – a diverse collection of creatures and curiosities – and the sideshow presentation of oddities and the bizarre. (Lera Auerbach)