For string quartet

String Quartet

No. 1

Lera Auerbach’s first numbered string quartet: a concentrated chamber work for two violins, viola and cello, opening the sequence of quartets that would become one of the central threads of her chamber catalogue.

Year 2004
Duration 16′
Scoring Two Violins
Viola · Cello
Publisher Boosey & Hawkes
/ Sikorski

Commission

Commissioned by Impresariat Simmenauer.

Premiere

16 January 2005. Lucerne — Kuss Quartet.

Movements

  • 1. Allegro molto

  • 2. Moderato – Allegro ma non troppo

  • 3. Agitato – Grave funebre

Work Information

Full Title
String Quartet No. 1
Scoring
For string quartet.
Year
2004
Duration
16′
Movements
1. Allegro molto
2. Moderato – Allegro ma non troppo
3. Agitato – Grave funebre
Instrumentation
2 Vls, Va, Vc.
Abbreviations PDF
Commission
Commissioned by Impresariat Simmenauer.
Premiere
16 January 2005 — Lucerne; Kuss Quartet.
Publisher
Availability
Chamber-music score and parts available through Boosey & Hawkes / Sikorski.

The Work

String Quartet No. 1 marks the beginning of Lera Auerbach’s numbered quartet cycle. Written for the classical string-quartet formation of two violins, viola and cello, it compresses its argument into a charged span of approximately sixteen minutes.

Commissioned by Impresariat Simmenauer and premiered in Lucerne by the Kuss Quartet, the work stands at the threshold of a major chamber-music sequence. Its three movements move from Allegro molto to a central Moderato – Allegro ma non troppo, and finally to Agitato – Grave funebre.

Four instruments become a single dramatic organism: intimate, exposed, and uncompromisingly concentrated.

As a first quartet, the piece may be heard as a point of departure: not only a work for four independent players, but an opening statement in a continuing exploration of solitude, polyphony, dialogue and the chamber ensemble as a form of inner theatre.

  • Commission Commissioned by Impresariat Simmenauer.
  • Premiere First performed in Lucerne by the Kuss Quartet.
  • Movements Allegro molto · Moderato · Grave funebre.

Context

The string quartet has become one of Auerbach’s most sustained chamber forms. The numbering begins here, with a work composed in 2004, and continues through a broad series of later quartets with distinctive poetic and dramatic identities.

In this first quartet, the traditional four-part ensemble becomes a concentrated dramatic space: a place where each voice remains exposed, yet all four instruments are bound into one musical body.

Publisher and Materials

Published by Boosey & Hawkes / Sikorski. Chamber-music score and parts are available through the official Boosey & Hawkes / Sikorski work page. Zinfonia rental material has been intentionally omitted because this is chamber music.